For producers who'd rather be heard than seen

We're a team that releases music through established artists and up-and-coming talent with real, existing audiences. We're looking for talented producers to make tracks for us to release - a ghost-production arrangement. You produce the music; it goes out through faces and channels that already have reach. You're paid for it, and the exact credit and confidentiality terms are spelled out in writing before anything is signed.

Producers who love making music but don't want to chase the spotlight - and producers who do want their music heard but can't crack getting it out there on their own. If you'd rather your tracks reach a real audience than spend years building a personal artist brand, this is built for you. You bring the production; we bring the release.

We're ideally after dance pop, tech house and UK garage / speed garage. We care about level over genre - a signature sound, mixes that translate, and the taste to make a record actually hit. The reference tracks up top show the lane we love most right now, but if you can make something sound undeniable, we want to hear it.

A small, real team operating from California, working with a roster of established artists. By the nature of the work the artist relationships are confidential, but we're not a DM-only operation: you'll deal with named people, a real business email, written agreements, and the chance to review terms before you commit. Legit work is transparent, professional and patient - that's the standard we hold ourselves to.

Two of your strongest finished, release-ready tracks - mixed and ready to go, not loops, sketches or sample-pack demos. Uploading the WAV / MP3 is the surest way we hear it, since we host and play it ourselves. You can paste a link instead (SoundCloud, Spotify, YouTube, Dropbox) - just make sure it's public and playable for everyone, not only you when logged in. If we move forward we'll usually ask for the session or stems, so having those ready is a plus.

No. Whether you upload a file or paste a public, playable link, we listen internally, for review only - your audio is stored privately and heard only by our review team. We never release, distribute, monetize, or use a track you submit unless you're selected and have signed a separate written agreement first. Until that point, nothing leaves our review and nothing of yours is touched. The originality warranty you give us, the timestamped consent on the form, and our Privacy Policy protect both sides.

Yes - real, fair money, agreed in writing before any work begins. We sort out the exact deal with you on a call before anything's signed - never a bargain-marketplace lowball. We never charge you to submit or to be reviewed; if anyone ever asks a producer to pay to have music heard, that's a scam, full stop. Money flows to you.

We listen to every submission and reply with a clear yes or no within 14 days - even when the answer is no. If there's a fit, the next steps are simple: a quick 20-30 minute call to meet you and answer anything on pay, rights and credit, a short onboarding where we agree your terms in plain English, then we match you with an artist whose lane fits your sound. No black hole, no being ghosted, no vague "we'll make you a star" promises.

Until you sign a deal, yes - completely. Submitting transfers no ownership of any kind: no copyright, no master, no publishing. You grant us only a limited, non-exclusive license to listen to and store your track for review, nothing more. If we move forward, any transfer of rights happens through a separate agreement you'll see in full and can review with your own counsel before signing.

We're honest about this up front, in writing, every time. Most placements are fully ghost - uncredited, and that's reflected in pay that's higher than a credited gig. But credit is on the table: where the artist is open to it, we can name you as a producer right in the official track credits ("Produced by..."), the same liner-notes line you see under the three-dot menu on Spotify and Apple Music. One line we never cross - you're never the main or featured artist; that billing always stays with the releasing artist. Tell us where you sit and we'll agree the exact credit and confidentiality terms in writing before you ever sign.